Boulevard Comedy Theatre in Germany by Daniel Meyer-Dinkgrafe

By Daniel Meyer-Dinkgrafe

Twenty significant German towns have a complete of twenty-four theatres specializing, at a excessive point of class, in featuring gentle comedy. they've got their very own standard atmosphere, rules of inventive administration and casting. There are playwrights, actors, administrators and architects who paintings nearly completely within the style, referred to as side road comedy, constructing hugely specialized techniques to their paintings. In just about all situations, the predominantly privately run street comedy theatres in Germany were capable of allure greater audiences than municipal or kingdom theatres within the comparable towns. The publication offers an outline and an research of this phenomenon, that is particular to Germany. Chapters specialize in an research of atmosphere, creative managers, creative guidelines and creative constructions, on significant features of the performs offered at the phases of German side road comedy theatres, on elements of translation and the cultural move of comedy and laughter and on features of creation and reception, dealing in flip with actors, administrators, media insurance and audiences.

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Boulevard Comedy Theatre in Germany

Twenty significant German towns have a complete of twenty-four theatres specializing, at a excessive point of class, in offering mild comedy. they've got their very own usual atmosphere, rules of inventive administration and casting. There are playwrights, actors, administrators and architects who paintings nearly solely within the style, known as street comedy, constructing hugely specialized ways to their paintings.

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Heitz trained at the Hochschule für The Boulevard Comedy Theatres in Germany 25 Kunst und Theater in Saarbrücken (1976-79) and worked as an actor in Regensburg, Krefeld / Mönchengladbach, Hannover, Zurich and Hamburg. In Hamburg he added directing to his credits. At the beginning of the 1990s Heitz was artistic leader and manager at the Altonaer Theater in Hamburg. From 1995 - 98 he was deputy artistic manager at the Stadttheater Herford. html). Heitz’s term of office ends with the 2004/5 season.

In the philosophy of law. Later he studied acting and directing at the Lee Strasberg Institute in New York. He worked as assistant director at the American Repertory Theatre in Cambridge (United States of America) and on Broadway; he was press officer and personal assistant to Gerard Mortiers at the Salzburg Festival and served as an assistant to Peter Stein. html). On the occasion of taking over the Komödie im Marquardt, von Maldeghem promised to maintain the tradition Bode established, while introducing the audiences to new actors and directors (von Maldeghem, 2002: 147-9).

1937), Barbara Capell (b. 1949), Gunther Beth (b. 1945), Sabine Thiesler (b. 1957), Frank Pinkus (b. 1959), René Heinersdorff (b. 1963), Lars Albaum (b. 1967), Dietmar Jacobs (b. 1967), Dirk Böhling (b. 1968) and Stefan Vögel (b. 1969). Here are a number of representative seasons at some of Germany’s boulevard comedy theatres: The 2003/2004 season in Berlin included Neil The Repertory of Boulevard Comedy Theatres in Germany 37 Simon’s Dinner Party, directed by Jürgen Wölffer; Michèle Bernier and Marie Pascale Osterrieth’s Le Démon de midi (Men and Other Errors) adapted from the cartoon by Florence Gestac, directed by Manfred Langner and Klassentreffen (Class Reunion), by Claus Chatten, directed by Martin Woelffer.

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